Muralism

Facilitation and collective guidance

Facilitated mural process with participants painting a wall at CESFAM Villa Los Quillayes
Pinta Tu Mural Los Quillayes, CESFAM Villa Los Quillayes, 2018. Web-optimized record from the FACI archive.

FACI gathers community mural processes in which my main role is to facilitate, guide, accompany, structure, or mediate collective production. In these cases, the work is not understood only as a final image: methodology, listening, visual decision-making, and the participation of groups, communities, or institutions are also central.

The series has remained open since 2012. Each main folder corresponds to a specific case of facilitation or guidance, and may contain the previous state of the wall, sketches, process records, educational materials, coordination documents, final documentation, and project memory.

Series Record

Code
FACI
Authorial path
ACMU > COMU > MURL > FACI
Type
Open series
Year
2012 onward
Technique
Community muralism, group facilitation, graphic mediation, and methodological accompaniment.
Context
Youth groups, local communities, schools, neighborhood organizations, community programs, and participatory commissions.

Visible Cases in the Archive

Participant painting a mural at CESFAM Villa Los Quillayes

Pinta Tu Mural Los Quillayes

2018 · CESFAM Villa Los Quillayes. Institutional and community mural facilitation carried out with patients and nurses in the children's area of the health center.

Bird detail in the Villa Los Quillayes mural

Atmosphere, Care, and Participation

This case shows how facilitation can operate in health spaces, transforming a hallway into a shared visual experience between community, institution, and mural craft.

Collaborative mural process on site

Open Series

The FACI archive includes AMK Libertad de Expresion, AMKids, Taller AMK LFJoven, Evoluciona Graff, Santa Caterina Comunidad, Mural Los Quillayes, Bloque 23C, Hans Asperger, and Miguitas Ternura, among other cases.

FACI differs from Festivals because the organizing criterion is not the event frame, but the role of guidance and facilitation. It also differs from Open-air Museums because it is not organized by fixed locality or by fully closed authorial works, but by shared processes where methodological direction is central.

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