Muralism

Community, collaborative and territorial practices

Community mural process record — Community muralism: process and result documented in a neighborhood context.

Within Community, the Muralism series gathers experiences in which mural practice becomes communal, relational, or participatory. It is not a single format or a fully uniform body of work: it includes facilitation, collective guidance, small-scale interventions, festivals, open-air museums, and transversal experiences.

For that reason, its structure should first be read through working contexts and modalities, and only afterwards through individual work capsules. The main archive folders do not automatically correspond to finished artworks, but to frameworks where concrete works, records, processes, and supporting materials appear.

This preserves the actual logic of community practice: the work does not always emerge in isolation, but within shared situations of production, listening, participation, and collective construction.

Work modalities

Facilitation

Shared processes of listening, mediation, and collective creation.

Light interventions

Mural actions adapted to specific scales and contexts.

Festivals

Encounters where the wall becomes a shared public surface.

Open-air museums

Interventions in dialogue with neighborhood, memory, and public space.

Transversal overview

A broader view of records, aesthetics, and working frames.

01. Facilitation and collective guidance

This line gathers projects where the main role is not only to execute an image, but to accompany collective processes: mediation, participatory design, shared imagination building, and collaborative technical resolution.

02. Light interventions

These works involve smaller-scale or faster actions, where mural production adapts to the specific conditions of place, available time, and the needs of each context.

03. Festivals

Festivals appear here as intensive frameworks where mural production is linked to exchange among artists, public visibility, and the temporary activation of urban space.

04. Open-air museums

In this modality, muralism is organized as a territorial constellation of works. The focus is no longer just on a single wall, but on the relationship between facades, routes, neighborhood life, and local memory.

05. Transversal overview

This overview reads the series as an open field: different techniques, imaginaries, scales, and years coexist under the same community-oriented approach. Rather than closing the definition, it reveals the breadth of mural work within your archive.