Wi-Fi Paintings

Painting what cannot be seen directly

Wi-Fi Painting No. 4 — Representation of the World / The Tangible / Saturation / The Invisible / Wi-Fi Paintings, No. 4. EGGS, 2020.

Wi-Fi Paintings is a subseries within The Invisible. It starts from a simple premise: in the age of hyperconnectivity, the environment is made not only of matter and light, but also of a permanent field of signals and waves outside ordinary perception.

The works use distortion, vibration, and pictorial interference to make invisible technological fields perceptible. Landscapes, portraits, and still lifes remain recognizable, but become unstable, as if affected by a signal passing through them.

graph LR D((The Invisible)) --> W((Wi-Fi Paintings)) W --> L([Landscapes]) W --> P([Portraits]) W --> S([Still Lifes]) click D "/EN/the-invisible.html" "Go to The Invisible" click W "/EN/wifi-paintings.html" "Go to Wi-Fi Paintings" click L "/EN/wifi-paintings.html#landscapes" "Go to Landscapes" click P "/EN/wifi-paintings.html#portraits" "Go to Portraits" click S "/EN/wifi-paintings.html#still-lifes" "Go to Still Lifes"

Wi-Fi Paintings: Landscapes

Recognizable landscapes are subjected to signal-like distortions, turning nature into a field crossed by invisible technological weather.

Wi-Fi Paintings: Portraits

Faces and bodies appear affected by the same pressure that crosses the surrounding space.

Wi-Fi Paintings: Still Lifes

Objects become evidence of an environment saturated by invisible transmissions.