Mr. Burns in Chile

A figure of economic power displaced across the territory

flowchart LR A((World Representation)) --> T([The Tangible]) A --> I((The Intangible)) I --> C((Images of Capitalism)) I --> P([Images of the Popular]) I --> AN([Images of the Ancestors]) C --> C1([1. El Colgado]) C --> C2((2. Mr. Burns in Chile)) C --> C3([3. El Empaquetador]) C --> C4([4. Rostro Esperanza]) C --> C5([5. Tragedian]) click A "/EN/world-representation.html" "Go to World Representation" click T "/EN/tangible.html" "Go to The Tangible" click I "/EN/intangible.html" "Go to The Intangible" click C "/EN/images-of-capitalism.html" "Go to Images of Capitalism" click P "/EN/images-of-the-popular.html" "Go to Images of the Popular" click AN "/EN/images-of-the-ancestors.html" "Go to Images of the Ancestors" click C1 "/EN/the-hanged-man.html" "Go to El Colgado" click C2 "/EN/mr-burns-in-chile.html" "You are here" click C3 "/EN/the-bagger.html" "Go to El Empaquetador" click C4 "/EN/face-of-hope.html" "Go to Rostro Esperanza" click C5 "/EN/tragedian.html" "Go to Tragedian"

Mr. Burns in Chile mobilizes a drawing of the fictional character associated with wealth, greed, and corporate control. The figure appears in Chilean landscapes tied to government, consumption, industry, construction, commerce, and nature.

By repeating the same drawn body in heterogeneous settings, the series creates friction between caricature and reality. Mr. Burns becomes a recognizable emblem through which economic power can be read across places, activities, and collective values.

TECHNICAL SHEET

Code: MRBR_CAPI_0001
Year: 2010–2015
Type: Open photographic series
Set: 14 photographs and 1 associated original drawing
Status: Digital photographic archive; drawing held in the artist's studio.

CONCEPTUAL READING

Caricature reduces power to a face. By placing that face in concrete locations, the work reverses the operation: fiction becomes a tool for reading economic relations that cross the territory.

El Colgado

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El Empaquetador

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