Infected Paintings
Saturation and contamination in the pictorial language
Infected Paintings explores the saturation and contamination of the contemporary landscape through a hybrid pictorial language. Painting collides with residual materials from consumer culture: plastic caps, packaging, printed paper, industrial PVC, discarded advertising tarps and recycled supports.
The series treats the pictorial surface as a body affected by external agents. Skin, territory and painting become parallel surfaces: noble or natural fields invaded by industrial remains, advertising fragments and symptoms of ecological degradation.
The work develops through two main lines: interventions on traditional supports, where waste alters the academic field of painting; and soft or pre-contaminated supports, where the material already carries traces of use, circulation and discard.
This archive keeps the curatorial structure of the series. For circulation, campaigns and direct purchase of available editions, use the short landing and the shop links below.